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RUSSIAN ART AND ARCHITECTURE
THROUGH THE CENTURIES

 
 

Church of St. Boris and Gleb at Kideksha
Cathedral of the Transfiguration at Pereyaslavl-Zaleski

 
 

We have mentioned that Prince Yurii Dolgoruky erected the first stone cathedral at Yuriev-Polski. He built another three churches at about the same time, all of them resembling one another very much, suggesting that they could have been constructed by the same builders. The one in Vladimir, also dedicated to Saint George, did not survive. The remaining two are the church of Saints Boris and Gleb in the village of Kideksha and the Cathedral Spaso Preobrazhensky (The Transfiguration of the Savior) at Pereslavl-Zaleskii. The year 1152 is given for all four as the beginning of construction. They were all small and squat, looking like a cube made of white stone with four piers supporting a single cupola and three semicircular apses projecting from the eastern end. Their heavy bare and very solid walls, divided by pilasters, gave these churches a simple and rather severe aspect. Their deeply recessed windows looked much like crenels. This was the common type of church built in this part of Russia in the 12th century, of course, with the exception of those very few highly decorated that we have already described. The two remaining churches were damaged and restored several times, and on each occasion they underwent some changes and redecoration. Their interiors were entirely covered with frescoes, but only a few fragments from the 12th century are still visible. Neither do we see those that were painted in the 15 the or the 17th centuries, and Soviet critics prefer not to mention them. As in most other churches unfinished excavations and dilapidated walls are all that is left of their ancient glory. We know that religious authorities did not always take good care of their churches and that sometimes they were overzealous to modernize them, but until the nineteen-twenties services were held there. Why, we ask ourselves, did their Iconostasis, icons, chandeliers, church vessels, even their floors and hundreds of other church objects have to be pulled down and destroyed. Very rarely a few items were taken to museums, usually after risky and painful supplications of those who only wanted to preserve national heritage. We have photos of both churches in our sections on Suzdal and Periayaslavl respectively.

 
 

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