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RUSSIAN ART AND ARCHITECTURE
THROUGH THE CENTURIES

 
 

Church of the Miracle of the Virgin at Dubravitsi,

 
 

The Church of the Miracle of the Virgin at Dubravitsi, near the town of Pololsk, built in 1690-1704 by Prince Boris Alexeyevich Golitsin is most surprising and peculiar. The prince was a very educated and liberal man, and was for several years tutor to Peter the Great. He sided with the future emperor in his struggle for power against his twin-sister, Princess Sophia. This close relationship with the emperor explains why Golitsin ventured to build on his family estate a truly strange church that must have astonished Russia with its fantastic appearance, so unusual and contrary to Russian architectural tradition. Its cross-shaped base with rounded forms is surmounted by a two-story octagonal tower crowned not by a Russian cupola but by a delicately interlaced and gilded crown with a cross on the top of it. Three monumental stairways lead to the main porches of the church. The entire structure is built of white stone and very richly decorated with carved ornaments that even include statues on the sides of he portals. Most of decorative ideas were borrowed from Italy, and some from France. The interior is as richly ornamented as the exterior. Its striking innovation is an absence of frescoes, which were replaced for the first time by religious reliefs and sculptures, showing the episodes and scenes that we usually see in frescoed churches. Originally the inscriptions under each composition were written in Latin; they were replaced by Russian letters only when the church was renovated in the 19th century.. This unique architectural monument shared the destiny of thousands of others after the revolution, and now weeds grow in several places where blocks of carved stone join together. It is dilapidated even by Soviet standards.

 
 

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